On March 6, Yohji Yamamoto unveiled its Fall/Winter 2026 collection during Paris Fashion Week.
The venue, as in the previous season, was the Hôtel de Ville, Paris City Hall. The choice of this historic stone building already hinted at the intention of designer Yohji Yamamoto. Before the show began, a single card had been quietly placed on each guest’s seat. It was a concise request from the designer: to set aside smartphones and simply receive what unfolds before them with one’s own eyes.
Back to the Kimono
This season’s collection is rooted in the Japanese kimono — though not as recreation or reference. Rather, it is a translation: the kimono’s fundamental relationship with the body, its wrapping, layering, and binding, rendered into Yohji Yamamoto’s own visual language.
Fabric gathers at the side of the body, shaped by the designer’s distinctive knotting. Contrasting textiles emerge from overlapping collar lines and layered coats. From indigo cotton to velvet and jacquard, the house makes no distinction between materials by status or origin — a stance that has long defined its aesthetic. Black remains the unshakeable foundation across every look, as it has since the 1980s. When color enters, it does so with all the more force.



Hokusai and the Source of Color
The source of color lies with Katsushika Hokusai. The ukiyo-e master of the late Edo period never lost his creative drive, even in his later years. His prints profoundly influenced European painters such as Vincent van Gogh and Claude Monet, and he remains widely recognized as a pivotal figure in the spread of Japonisme.
Here, Hokusai’s motifs emerge within Yohji Yamamoto’s black garments. Bold illustrations of cranes, undulating stripes, and intricately woven jacquards appear throughout the collection. These elements do not function merely as decoration; instead, they merge with the structure of the garments, becoming integral to the silhouettes themselves.
Within a composition of striking graphics and quiet tension, Hokusai’s visual universe takes on a new form—appearing once again, gently and unexpectedly, on the contemporary runway.





Finale: The Weight of Tradition
The five models who closed the show were dressed in austere knit silhouettes paired with wooden geta. The sound of geta, once woven into the rhythm of everyday Japanese life, has all but faded. In bringing them back to the runway, Yamamoto reveals a quiet preoccupation with what is slipping away.


Towering hair and the layered weight of fabric held the mood of the show just a little longer. When Yamamoto stepped onto the runway, the audience rose to its feet. As he bowed to the applause, the room instinctively bowed back in return. It was a moment in which reverence passed through the space without a single word.
See all the looks from the Yohji Yamamoto Fall/Winter 2026 collection in the gallery below.
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